Month: August 2005

don’t own your textbooks, rent them!

Posted on by jessamyn

Princeton University is experimenting with textbooks that have Digital Rights Management embedded in them. They have a lot of nerve calling a textbook that expires in five months “universal”. The press release states that students “save money” though it does seem to be comparing apples and oranges. Sure, textbooks are expensive and can be of limited use once classes are over but at least you own the darned things and can resell them or do whatever you want with them. And if you don’t have your own computer just make sure you can use the same one in the lab every time you visit because you can only load your textbook on to one computer, period. No returns. Not accessible via dial-up. How dare they say “the information is the same as the print version” although I guess as a profession we haven’t had to deal with information that expires now have we? Perhaps it’s time we start.

update: it’s not the school it’s the bookstore that is running this DRMed ebook experiment according to an update on the post. Different thing, different import. Ed Felten, who works at Princeton posted some comments “I don’t object to other people wasting their money developing products that consumers won’t want. …The problem with DRM is not that bad products can be offered, but that public policy sometimes protects bad products by thwarting the free market and the free flow of ideas. The market will kill DRM, if the market is allowed to operate.”

what do people do all day?

Posted on by jessamyn

Most librarians I know can pinpoint a time where they learned that most librarians have much more to do than just sit behind a reference desk and/or buy books. This can be problematized by media renditions of librarians that highlight these parts of the job at the expense of others, or news reports that view every person working in a library as a librarian. These are hard issues to resolve, especially when you don’t want to widen the rift between professionals and paraprofessionals in the field, and espcially where in many libraries people wear many hats. In any case, since I’m now working with libraries, but not as a librarian, I thought I’d let people know what it is that I’m doing all day lately. My official title is Community Technology Mentor, but really I’m just the Computer Lady and one who works a lot with libraries and librarians.

del.icio.us pasta

Posted on by jessamyn

I know you know about del.icio.us. However, you may not know about Pasta. Every now and again I have something I would like to link to here but it lacks a web component. Sometimes it’s an email, sometimes it’s an IM, sometimes it’s a press release. Pasta allows you to post up to 100k worth of text and auto-bookmark it on del.icio.us for you. As an example, here’s an IM I had with a random web stranger asking about library schools.

Jenny uses her librarian superpowers for good

Posted on by jessamyn

I talked to Jenny a bit at ALA about Digital Rights Management and the ListenIllinois project. I was concerned, as she was, about the interoperability of the ebooks that the program provides, and the fact that their books won’t play on iPods, among other platforms and hardware device options. Luckily for ListenIllinois patrons, Jenny was in a prime position to do something about it. Her solution, though admittedly imperfect, is a glorious example of a librarian seeing a problem or an inequality of access, deciding that it needs to be fixed and setting policy to address that inequality: libraries that join the ListenIllinois contract now need to purchase at least one MP3 player to circulate audiobooks to patrons. I applaud her decision, her plan, and her dedication to explaining it and trying to err on the side of inclusivity and access instead of shrugging and saying “well, what can you do?”

It’s a proven fact that libraries help bridge the digital divide, and now we need to step up and help bridge what is a growing digital audiobook divide. It’s simply unethical to say you’re not going to circulate players because it would be too much of a hassle for your staff. This is the future format of audiobooks, and we need to make them available to everyone, especially because there are some titles that are available exclusively in this format. There are so many reasons to circulate your own players right now that it’s almost a crime not to. If you look at it from a PR standpoint, do you really want to be the one standing up in front of the microphone explaining why you couldn’t spend $70 on one measly player for those patrons that don’t have one of their own?